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You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Jonas Dassler Fritz Honka Tristan Göbel Willi Margarete Tiesel Gerda Voss Adam Bousdoukos Lefteris Katja Studt Helga Denningsen Marc Hosemann Siggi Honka Martina Eitner-Acheampong Frida Victoria Trauttmansdorff Gisela Hark Bohm Dornkaat-Max Greta Sophie Schmidt Petra Schulz Jessica Kosmalla Ruth Heinz Strunk Kriegsveteran Laurens Walter Fritz Honka jung Uwe Rohde Edit Storyline A serial killer strikes fear in the hearts of residents of Hamburg during the early s.
Edit Did You Know? Trivia A female psychologist was brought on to set to help actors deal with the rape scenes. Quotes Siggi Honka : There are preciseIy three reasons why people drink: First, to forget about the bad things.
I came of age during the home video years and heading out every week to the various rental shops in our area to see what Hammer or Hammer related flicks we could find became a regular past time.
Rumor had it that the movie involved Van Helsing tracing the elusive Count Dracula to colonial era China where he'd set up shop and acquired a taste for the local food.
Hijinx awaited in the form of supernatural kung-fu battles with a band of seven specialist martial arts masters, who were of course brothers, fighting off legions of vampiric barbarians.
Somehow the combination sounded like trying to mix oil with water and when I finally managed to find the meager VHS release of the film my apprehension was proved well- founded by a muddled mix of Gothic horror chills with difficult to follow chop-socky interludes.
The pan-and-scan compression of the widescreen shots was dizzying, the vampire interludes were anything but the dreamy "foggy castle on a hill" variety that Hammer had become specialists in, with lots of insert shots of Peter Cushing standing around looking concerned while Julie Ege's bosoms heaved, cruelly encased in her cleavage baring tops.
It turns out however that much of this muddling and cockamamie mish-mashing was due to the confinement of Roy Ward Baker directing the talking scenes and Cheh Chang's directing the martial arts scenes marvelous widescreen Techniscope photography into a claustrophobic, nappy lookin' fullscreen image.
Fading of color and reduction print distortions didn't help much, and my opinion now after seeing the widescreen print is that much of the disdain aimed at the film is in fact aimed at the miserable presentations that have been available until now.
Sure, it's still a bit cobbled together. The public didn't seem to care but the result were two very charming movies that had the gall to be different, even if horror fans had moved on.
Hammer was hoping to extend their life by coming up with some new series and their collaboration with Shaw Brothers productions was perhaps both ahead of its times while a year or three too late to save the company.
It was a glorious failure that deserves to be seen again now that present day technology can give viewers a better estimation of the movie's intended form.
It is surprisingly entertaining and compulsively watchable. It's still somewhat confusing if you are looking for a discreet, beginning-middle- end story progression.
Just by turning his head slightly to the side and raising an eyebrow Peter Cushing is a treat, nobody can look concerned or impart a sense of dire urgency into an audience like Peter Cushing: It may be an odd movie but it does feature some of his best work at appearing concerned and some of the urgencies that he imparts within viewers are the most dire of his career.
Yeah, he was getting old and tired and probably looked upon the movie as an expense paid trip to China to help him forget the sorrow of his wife's passing.
But by golly he made the movie and if he means anything to you it simply must be seen because it is his last screen turn as one of his classic Gothic horror characters.
Try it again, make sure it's a widescreen version, pop plenty of popcorn, perhaps an adult beverage or two, and put down the lights. Turns out it's not a bad movie after all.
Prime Video has you covered this holiday season with movies for the family. Here are some of our picks to get you in the spirit.
Get some picks. Sign In. Keep track of everything you watch; tell your friends. The golden ratio was studied peripherally over the next millennium.
Abu Kamil c. Luca Pacioli named his book Divina proportione after the ratio, and explored its properties including its appearance in some of the Platonic solids.
German mathematician Simon Jacob d. Kepler said of these:. Geometry has two great treasures: one is the theorem of Pythagoras, the other the division of a line into extreme and mean ratio.
The first we may compare to a mass of gold, the second we may call a precious jewel. Between and , Roger Penrose developed Penrose tiling , a pattern related to the golden ratio both in the ratio of areas of its two rhombic tiles and in their relative frequency within the pattern.
A geometrical analysis of earlier research into the Great Mosque of Kairouan reveals an application of the golden ratio in much of the design. However, the areas with ratios close to the golden ratio were not part of the original plan, and were likely added in a reconstruction.
It has been speculated that the golden ratio was used by the designers of the Naqsh-e Jahan Square , and the adjacent Lotfollah Mosque. The Swiss architect Le Corbusier , famous for his contributions to the modern international style , centered his design philosophy on systems of harmony and proportion.
Le Corbusier's faith in the mathematical order of the universe was closely bound to the golden ratio and the Fibonacci series, which he described as "rhythms apparent to the eye and clear in their relations with one another.
And these rhythms are at the very root of human activities. They resound in man by an organic inevitability, the same fine inevitability which causes the tracing out of the Golden Section by children, old men, savages and the learned.
Le Corbusier explicitly used the golden ratio in his Modulor system for the scale of architectural proportion. He saw this system as a continuation of the long tradition of Vitruvius , Leonardo da Vinci's " Vitruvian Man ", the work of Leon Battista Alberti , and others who used the proportions of the human body to improve the appearance and function of architecture.
In addition to the golden ratio, Le Corbusier based the system on human measurements , Fibonacci numbers , and the double unit. He took suggestion of the golden ratio in human proportions to an extreme: he sectioned his model human body's height at the navel with the two sections in golden ratio, then subdivided those sections in golden ratio at the knees and throat; he used these golden ratio proportions in the Modulor system.
The villa's rectangular ground plan, elevation, and inner structure closely approximate golden rectangles. Another Swiss architect, Mario Botta , bases many of his designs on geometric figures.
Several private houses he designed in Switzerland are composed of squares and circles, cubes and cylinders. In a house he designed in Origlio , the golden ratio is the proportion between the central section and the side sections of the house.
Divina proportione Divine proportion , a three-volume work by Luca Pacioli , was published in Pacioli, a Franciscan friar , was known mostly as a mathematician, but he was also trained and keenly interested in art.
Divina proportione explored the mathematics of the golden ratio. Though it is often said that Pacioli advocated the golden ratio's application to yield pleasing, harmonious proportions, Livio points out that the interpretation has been traced to an error in , and that Pacioli actually advocated the Vitruvian system of rational proportions.
Leonardo da Vinci 's illustrations of polyhedra in Divina proportione  have led some to speculate that he incorporated the golden ratio in his paintings.
But the suggestion that his Mona Lisa , for example, employs golden ratio proportions, is not supported by Leonardo's own writings.
The dimensions of the canvas are a golden rectangle. A huge dodecahedron, in perspective so that edges appear in golden ratio to one another, is suspended above and behind Jesus and dominates the composition.
A statistical study on works of art of different great painters, performed in , found that these artists had not used the golden ratio in the size of their canvases.
The study concluded that the average ratio of the two sides of the paintings studied is 1. Many books produced between and show these proportions exactly, to within half a millimeter.
According to some sources, the golden ratio is used in everyday design, for example in the proportions of playing cards, postcards, posters, light switch plates, and widescreen televisions.
The golden ratio is also apparent in the organization of the sections in the music of Debussy 's Reflets dans l'eau Reflections in Water , from Images 1st series, , in which "the sequence of keys is marked out by the intervals 34, 21, 13 and 8, and the main climax sits at the phi position".
The musicologist Roy Howat has observed that the formal boundaries of Debussy's La Mer correspond exactly to the golden section. Pearl Drums positions the air vents on its Masters Premium models based on the golden ratio.
The company claims that this arrangement improves bass response and has applied for a patent on this innovation. Though Heinz Bohlen proposed the non-octave-repeating cents scale based on combination tones , the tuning features relations based on the golden ratio.
As a musical interval the ratio 1. Johannes Kepler wrote that "the image of man and woman stems from the divine proportion.
In my opinion, the propagation of plants and the progenitive acts of animals are in the same ratio". The psychologist Adolf Zeising noted that the golden ratio appeared in phyllotaxis and argued from these patterns in nature that the golden ratio was a universal law.
In , the journal Science reported that the golden ratio is present at the atomic scale in the magnetic resonance of spins in cobalt niobate crystals.
However, some have argued that many apparent manifestations of the golden ratio in nature, especially in regard to animal dimensions, are fictitious.
The golden ratio is key to the golden-section search. The golden ratio is an irrational number. Below are two short proofs of irrationality:.
If we call the whole n and the longer part m , then the second statement above becomes. Another short proof—perhaps more commonly known—of the irrationality of the golden ratio makes use of the closure of rational numbers under addition and multiplication.
The golden ratio is also an algebraic number and even an algebraic integer. It has minimal polynomial.
Having degree 2, this polynomial actually has two roots, the other being the golden ratio conjugate. The vertices of a regular icosahedron are those of three mutually orthogonal golden rectangles.
There is no known general algorithm to arrange a given number of nodes evenly on a sphere, for any of several definitions of even distribution see, for example, Thomson problem.
However, a useful approximation results from dividing the sphere into parallel bands of equal surface area and placing one node in each band at longitudes spaced by a golden section of the circle, i.
This method was used to arrange the mirrors of the student-participatory satellite Starshine Application examples you can see in the articles Pentagon with a given side length , Decagon with given circumcircle and Decagon with a given side length.
Both of the above displayed different algorithms produce geometric constructions that determine two aligned line segments where the ratio of the longer one to the shorter one is the golden ratio.
The golden triangle can be characterized as an isosceles triangle ABC with the property that bisecting the angle C produces a new triangle CXB which is a similar triangle to the original.
In a regular pentagon the ratio of a diagonal to a side is the golden ratio, while intersecting diagonals section each other in the golden ratio.
This result is a straightforward consequence of the intersecting chords theorem and can be used to construct a regular pentagon, a construction that attracted the attention of the noted Canadian geometer H.
Coxeter who published it in Odom's name as a diagram in the American Mathematical Monthly accompanied by the single word "Behold! Delegates of the Imperial Diet held in Nuremberg and Metz.
Charles IV. Franchise of the seven Prince-electors voting for the King of the Romans. Archbishop of Mainz. Archchancellor of Germany.
Archbishop of Cologne. Archchancellor of Italy. Archbishop of Trier. Archchancellor of Burgundy. King of Bohemia.
Arch- Cupbearer. Count Palatine of the Rhine. Arch- Steward. Duke of Saxony-Wittenberg.